I was never supposed to know the truth. I was only supposed to be the grieving grandmother, a tragic prop in a macabre play I didn’t even know I was cast in.

The grandfather clock in the cavernous hallway of the Vance Estate struck eleven, its heavy, resonant chimes instantly swallowed by the low, menacing rumble of thunder rolling across the Chicago suburbs. I stood entirely alone in the center of the living room, drowning in an ocean of white lilies. Their sickly-sweet, cloying perfume hung thick in the humid, storm-pressed air, but it failed to mask the faint, sterile scent of chemical preservatives that clung to the small, white casket resting on the mahogany viewing stand.